AFI AWARDS is an annual program of the American Film Institute–an almanac which records the year’s most outstanding achievements in film and television.
AFI AWARDS is the only form of national recognition that honors the film and television creative ensemble as a whole–those people in front of and behind the camera–acknowledging the collaborative nature of film and television.
Ten AFI Movies of the Year, 10 AFI Television Programs of the Year and up to 10 AFI Moments of Significance are determined by AFI’s unique selection process.
美国电影协会创办，2002年1月15日颁发第一届学会奖。简称AFI Awards(American Film Institute’s Awards)，每年一届。美国电影学会1996年为庆祝电影诞生一百年，举办了美国影史百大经典电影的票选活动，博得良好口碑，因此之后每年都针对不同主题举办盛大票选，2001年起更设立了年度十大美国电影，表扬这十部电影的幕前幕后所有主要电影工作者，不细分奖项，皆大欢喜。
Unlike any other film or television award currently given, the AFI AWARDS selections are made through AFI’s unique 13—person jury process in which scholars, artists, critics and AFI trustees discuss, debate and determine the most outstanding achievements of the year, as well as provide a detailed rationale for each selection.
Two AFI juries—one for motion pictures and one for television—convene each year for two days of deliberation. The members of each jury remain confidential until the Awards are announced.
On January 9, 2001, AFI announced the official selections of AFI 2000, a new annual program designed to recognize, preserve and honor excellence in the moving image during the 21st century. Selections include 10 AFI Movies of the Year and five AFI Moments of Significance.
The following 10 films have been selected by a 12-member jury as AFI Movies of the Year. Each of these films-listed alphabetically-best advances the art of the moving image; enhances the rich cultural heritage of America’s art form; inspires audiences and artists alike; and/or makes a mark on American society in matter of style or substance:
At the center of ALMOST FAMOUS lies a question: When it would be easier not to, do you write the truth? Cameron Crowe writes the truth in this story of a young rock journalist in the 1970s with a profound understanding that can come only from living it-and he directs with an uncommon attention to detail of time, place and character, capturing how deeply music affects us.
BEFORE NIGHT FALLS
Julian Schnabel invigorates the biographical movie in his sensual, lyrical and searing memorial to the late Cuban novelist and poet Reinaldo Arenas, played by Javier Bardem with a riveting mixture of passion and playfulness. BEFORE NIGHT FALLS is a moving testament to artistic and sexual freedom, and Schnabel brings to it a painter’s eye and a documentarian’s attention to cultural detail.
BEST IN SHOW
With BEST IN SHOW, director Christopher Guest and the ensemble cast elevate the mock-documentary form to new artistic heights. The film raises comedy to the level of insight and weaves a seamless narrative fabric from actors’ improvisation around a central theme. Fred Willard’s performance is worthy of special recognition.
This finely-crafted studio picture goes beyond the familiar with humor, texture and a fine attention to detail-an increasingly rare experience. ERIN BROCKOVICH, with its luminescent performance by Julia Roberts, accomplishes what all Hollywood films should aspire to: to excel both as art and as entertainment.
GLADIATOR updates the traditional American genre-the epic costume film-through cutting-edge technology. Its hero, a noble and unselfish man, is a type movies have celebrated for generations, but the modern methods used to create the world he lives in give viewers a new kind of spectacle for the new millennium.
HIGH FIDELITY is an offbeat odyssey about a 30-something record store owner who knows everything about pop music but nothing about life. A terrific ensemble cast includes music as a central character. The film effortlessly breaks the fourth wall and, rather then shoe-horning its quirky characters into a tidy resolution, chooses a real world ending.
REQUIEM FOR A DREAM
Darren Aronofsky takes no prisoners in his harrowing second film, REQUIEM FOR A DREAM. Utilizing the language of cinema to startling film effect, he condenses information through multiple points-of-view and propulsive editing. Ellen Burstyn and Jared Leto give electrifying performances as a drug-addicted mother and son.
Steven Soderbergh balances a complex narrative structure that includes three separate stories and multiple outstanding performances. TRAFFIC moves with clarity, grace and intelligence through a broad strata of American and Mexican society in this uncompromising tale about the never-ending fight to win a war against drugs.
This sophisticated, beautifully-written comedy of manners is a melancholy and funny coming-of-middle-age story. In WONDER BOYS, Curtis Hanson displays a sure comic-satiric touch and draws remarkable performances from his ensemble, particularly Michael Douglas as a literary one-hit-wonder and Tobey Maguire as his precocious student.
YOU CAN COUNT ON ME
In YOU CAN COUNT ON ME, writer/director Kenneth Lonergan surprises time and again with his affecting story of a complicated, funny and emotional sister/brother relationship. Laura Linney and Mark Ruffalo create heart-breakingly real characters in this underexplored thematic territory.
The following five noteworthy events (listed chronologically) have had an impact on the world of the moving image during the calendar year 2000:
AOL-TIME WARNER MERGER
In the business story of the year, new media giant America Online agreed to buy the world’s largest traditional media company, Time Warner, creating an unprecedented marriage of distribution and content.
MOVIE MARKETING CALLED BEFORE CONGRESS
In response to a report from the Federal Trade Commission that cited movie studios, video game makers and the music industry as marketing violent entertainment to children under 17, senior executives from eight major movie studios-Disney, DreamWorks, Universal, Sony, Warner Bros., 20th Century Fox, Paramount and MGM-testified before the Senate Commerce Committee on September 27, 2000. It was the first time that studio executives had been called before Congress to defend the marketing of their films.
CROUCHING TIGER, HIDDEN DRAGON BRINGS THE WORLD TOGETHER
The success of CROUCHING TIGER, HIDDEN DRAGON marked a watershed moment in the ongoing emergence of global cinema which fuses storytelling style and substance from many cultures into a new sensibility that is accepted and enjoyed irrespective of language.
DGA REPORT FINDS DROP IN DIVERSITY
The Directors Guild of America reported on December 6, 2000, that the number of new women members was the lowest in five years, and there had also been a sharp decrease in hours worked by African-American directors in television.
DIGITAL REVOLUTION CONTINUUM
Throughout the year 2000, the Internet and other New Media continued to bring significant changes to film production, exhibition, marketing, distribution and copyrights.
The AFI 2000 Jury
Chair, AFI 2000 Jury
Chair, AFI Board of Directors
Film Preservationist/ Historian